Whiteline prints after teaching a class of whiteline printmaking

There was something about teaching that whiteline class

that got me working a little differently on my own blocks...

it's good.

 I like to leave the completed print on the block until the next morning,
when I wake up, with a coffee...and take a new look at it.
It's always a nice surprize to see it there....needing nothing more from me.
And then when it's flattened....
OH, my...it's  like some magical transition into something else...
it really stands on it's own...
and this one's really nice.
12.5" x 14" wide...Mill Creek at Coon Rock Road.....where the LongHorns Weren't



8.5" wide x 6' tall ................................A LongHorn

7" wide x 9.5 " tall...........KnotRat

the Peninsula School WhiteLine Woodblock Printmaking Workshop

I got so involved in this Peninsula School of Art workshop...

we really got moving, covering a lot of ground...

I  never thought about documenting the step by step

so I could later say, "here, look...this is what we did."

Well, I got some to show a little bit...

mostly, I was amazed at what we accomplished...

and what all I learned from them...

which was the real surprize.

Here they are" Joan, Anne, Sue, Anne,Donna & Donna.

Peninsula classrooms are simply great.

 

Joan had done more linoleum cutting than wood, so the pine I brought was like cutting through butter.

I wish I had the presence of mind to photograph of ALL the final prints everyone did.
Once they were all flattened, they took on a real presence....
yeh, wish I could have slowed me down...
get me arting, and I fire up, tending to forget some of the non-arting things that I should be doing.

Donna did a great duck besides this landscape:

Sue and Anne cut the same scene into earlier blocks...which of course I didn't take snaps of....

j

 

Donna was fearless.

I wish I got a picture of Anne's last block,
on the large pine I brought....
complex....we ran out of time,
so she would be completing it on her own.
It's going to be a wonderful piece.
Anne has official Japanese woodblock printmaking under her belt, so it was interesting to see how she took to this process.
(I was envious of her working orderlines)



OH...and on the last day, Joan saw to it that we got to have a Cherry Pie.....geez.......

Yes...me.  
This was great.  
I want to do it again.  

Thanks, Anne, Anne, Donna, Donna, Joan, and Susan...you were a great class.
You really got a lot done...I think you learned a lot.
You caught on well,  you kept your knives sharp....your prints were wonderful.
 I hope you print those blocks again...and keep going.  
Cut and print another....you felt that thrill that grows as the print develops...............
it gets better.  
Keep me posted!

Calling card for me as WhiteLine Woodblock Printmaker

Leaving in a couple days to head up the whiteline woodblock printmaking workshop, and I realized this afternoon that I had no calling cards!

  Got cards now!

5 days before the Peninsula School of Art WhiteLine Printmaking workshop

I am trying to do one white line wood print a day

to find, or cause myself as many problems as I can

in order to be as prepared as possible for the Peninsula School of Art Workshop I'm heading up in a few days.

The French Horn and the Trumpet are carved into crummy plywood...think it's called underlayment.

The Guitar is in pine....

newer pine than the 100 year old pine I used for the Small Dog.

I decided to see how fast I could go...

so it was begun and completed between when the coffee kicked in and sometime in the mid afternoon.

Not bad....

not quite what I'm used to seeing...but ok. 

What I thought interesting...was how good the color was off the pine.

Tomorrow I'm going to make one of the pine I just got for class...

it's only fair and right for me to know what I'm getting them into.

Funny...except for the "small dog"....

I don't think I've carved much pine. . . cherry, mahagony, shina plywood...I think that's about it.

For the Guitar.....I decided to see how fast I could go...

(remember, I'm trying to do one-a-day)

so it was begun and completed between when the coffee kicked in and sometime in the mid afternoon.

Not bad....not quite what I'm used to seeing...but it's ok. 

This came from a scribble I made when at Bill Bryant's Open Mike at CrossRoads CoffeeHouse in CrossPlains, Wisconsin

What I thought interesting...was how good the color was off the pine.

Tomorrow I'm going to make one of the pine I just got for class...

it's only fair and right for me to know what I'm getting them into.

Funny...except for the "small dog"....

I don't think I've carved much pine. . . cherry, mahagony, shina plywood...and sugar pine...

yes, sugar pine...really nice.

...I think that's about it.

OK...more later.

Whiteline woodblock prints started

I finally shifted mental gears and have begun doing the whiteline prints...

making notes and snapping pictures to prepare for the 

Peninsula School of Art Whiteline Woodblock Printmaking Workshop I'm heading up July 1, 2 & 3.

I snapped this last night with my cell phone.

I will post some step by step photos when I get them off the real camera.

I woke up early to see what I did last night.

Always, always, always......

the next day, or after some time passes, it becomes a surprize for me.

I love the surprize.

Sometimes it needs a little extra help...

sometimes it's standing strong on it's own.

This one doesn't need me anymore.  

It's pretty nice.

I have to do another.

The Career of a Linda Kelen Paddlefish

 The PaddleFish I carved for the National Endowment for the Humanities Grant documentary,
Rhythm of the River is....much to my delighted surprize, still very much alive and well!
It really is great to know that SO many smiles come from it's existence.
This really makes me smile.

So, check out what Flo's been up to now.

(yes, the Paddlefish has been named Flo, and works with 

Friends of the Lower Wisconsin Riverway )

Readying for new whiteline woodblock prints!

OK..pictures will be following...
I'm cutting wood for a wedding invitation and some extras to be printed with letter press...
and in the sharpening of the knives, the setting up of my cutting table,
I'm leaning strongly towards some new whiteline prints..
the process I will be documenting.

I've also sold prints of the Small Dog of Power

two, actually...that I STILL have to print,
so you will be seeing how that goes.
The wood block for that print has been spoken for.
I'm hoping to get two, maybe three prints yet off that block before I seal it.
I'll show you pictures and tell you all about what I"m up to as I go...
more later..................Linda

Concrete floor staining update

The Bathroom floor is done...
except for a little touch up I'm going to do on the vertical surfaces left behind by the cuts...
I never thought about them until now....so I learned something.
Yep, a little touch up is in order...
THEN it gets sealed, waxed, and photographed with a REAL camera...not this cell phone.
Sooner than later I'll post ALL the floors I've stained so far!
...and yes, I will be available for concrete floor projects...

Sketchbook

It's been a long time since I've had the mind space to think about putting some colors in my sketchbook
which has been used more as a receptical for words carrying all the unnecessary non-art related stuff tripping up my mind...it's all got to go...it's in my way.
 This is not the best I've seen slipping out of my hands...not even reasonable,
but, the fact that it's shown up is a good sign.
Yes, the Rooster is still with me.

Dog who recently discovered Chicken Terrorizing is great sport.

Feathers are the Chickens Defense system against attack...giving the attacker mouth after mouth of feathers, which when spit out for better biting, allow the bird to escape and run like hell. The wind, coming out of the south, which you see here, has blown the feathers into the woods behind me. No longer does it look like a pillow fight might have occured. The Rooster is fine.

the Silver Fish

The Silver Fish, and a few others of my fish related artings

are at the CrossRoads CoffeeHouse for the May 4th Trout Days Celebration in Cross Plains, Wisconsin...

with a grand Beer Parade celebrating Essers 150th anniversary.

From their lower lip to the tips of their tails, they are 7/8" long.
Chased and repoussed, stamped as sterling silver, and signed by me.
There are only 5 left of the edition of 7 sets I made.
I will make more if needed.

FishSpoon in Woman Made Gallery Silent Auction

This is the spoon and holder that is in the Woman Made Gallery 21st Anniversary Gala Silent Auction. 

 The spoon is 5.25" long, 

the spoon bowl is 1 5/8th" wide at the widest part, 

 about 2" long, and holds nearly a perfect tablespoon of water. 

 The holder will take up 2.75" high and about 5.75" wide of wall space...

and the spoon "shelf" is about 2 deep".

The Art for their Silent Auction can be seen here.

I have also donated one of the reduced size "Strong, Brave, and Handsome" woodblock print sets.

Fish Spoon #2 at Artisan Gallery...Paoli Gallery, Paoli, Wisconsin

THIS is Fish Spoon & Holder #2.
I've given it to the Habitat ReStore Salvage Art Show.
It can be seen at the Artisan Gallery, located at 6858 Paoli Road in Paoli.
The Artists' reception for Artisan Gallery will be held April 19th from 5 to 9 PM;
I expect to be there.
This is NOT an auction.
You should visit the gallery...so can hold the Fish Spoon in your hot little hands!
It's cold forged, chased/repoussed white bronze,
in a very fine holder made of aluminum flashing and wire.
There are felt wall bumpers on the back.
Both the spoon and holder are signed, dated and numbered.
Yes...it is for sale.

 the spoon is 5.25" long, the spoon bowl is 1 5/8th" wide at the widest part, about 2" long, and holds nearly a perfect tablespoon of water. The holder will take up 2.75" high and about 5.75" wide of wall space...and the spoon "shelf" is about 2". I forgot to measure it so I'm taking the measurements off the other one.

Fish Ring!

 (Don't worry...the WhiteLine Woodblock printmaking workshop information is two posts down)

Under the ceiling light here, 
this doesn't look like the sterling silver it is, 
but it's my first, chased/repoussed sterling silver fish ring. 

Yeh, more fish. 

I've got this thing in my head to get as much done as I can for Cross Plains, Wisconsin's  Trout Days....

it's just a nice target for me. 

I'll have better photos....but not now.....NOW I'm just excited about finding out it's fun to wear!

Some Spoons

(Don't worry...the WhiteLine Woodblock printmaking workshop information is next post down)








I was in a mood
to complete some of my spoons!

 

So, today, April 8th....

after spending the last two days making possibilities

for a holder for this spoon,

I finally got something I was happy with...

so I think it might be the Calling Card I leave

with those who like this avenue of activity.

WhiteLine Woodblock Printmaking Workshop

The Peninsula School of Art's Summer Catalog is officially on line
which includes my WhiteLine Woodblock Printmaking workshop
in which I will be instructing the curious in how I make my prints.
Here's a link directly to information about my class: http://www.peninsulaschoolofart.com/PD1321.php

As SOON as I complete and seal the concrete floor staining in the studio,

I'll be back at cutting new blocks for a few shows, and this class....

and will be posting more updates.

In the mean time go HERE, HERE,  HERE, and HERE to see a few past posts. 

My first experience with the school was through a  

chasing/repousse class up there from Victoria Landsford.

Now, I'm thrilled to be able to say I'm part of this years faculty!

Please feel free to contact me if you have any questions.

more later..........................Linda

Bathroom concrete floor staining...in doorway

I had to come up with a way to end the staining in the bathroom
since I got way carried away...
which is what happens to me when I don't have a plan.

 I couldn't bring myself to end it with a straight line as a closed door would command....

so, I'm still at it...water inside.....rocks on the outside...

besides I'll figure out something that the rocks can turn into

once I get in the mood for working on the floor

THIS side of the door.

why doesn't concrete doesn't absorb color at cuts

I believe I got a good answer to this problem....

and also believe I might have a solution for it

if I were to run into it again....

the jury is still out...and I"m still open for other possibilities.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I need to know why the concrete is not absorbing the color at the cuts.

All  floors were first cleaned and washed before being carefully washed with CHO,

I used a scrub brush, neutralized with BakingSoda...

nothing dried, and then rinsed twice with clean water...all wet was vaccuumed up.

My cleaning methods are the same for each floor.

I've one that had NO problems at all.

The Bathroom floor had only slight issues.

I have been working from the west end of the building to the east end,

and am watching the concrete resistance to the colors at the cuts increasing.

The concrete resists as though oil was involved.

I was not present when they cut the floors..

so I don't know what was necessary to keep the blades going.

I have never added any water resistant product to the floors.

The cut lines above with the bee hive were not bad....

but the mechanical room at the east end of the house as seen below

shows this problem the most.

It was not given the respect of the other rooms,

so solder, flux and other drips and drops have been spilled...

I don't care about that...

I DO care about WHY this is happening around these cuts. 

It LOOKS like the cuts were wet...but they were not.

With the heat IN the floor, warm concrete doesn't tend to stay wet.

I've purposely WET sections of another floor to get a delicate wash,

and was able to work other colors into it.

The areas around these cuts will not accept color anywhere near as readily as the rest of the floor....

and that's what I want to understand.

I really need to find out what's going on...

so I've posted these pics here with the hope of making it easy for those really experienced in this floor staining can tell me what I'm trying to deal with here.

I'm using Butterfield Color's Elements waterbased stains....

on concrete that is just waiting for me.

Thanks for looking.

Concrete floor staining nearing completion

Sidetracked by life complexities, I'm now back to completing the bathroom concrete floor staining. 

I wondered what the flexibilities were of making changes, additions....

and not being able to leave well enough alone...I tried it.....I could always cover up problems with a rug.

HA! I'm not going to need a rug!!