Linda Kelen Teaching at Peninsula School of Art

I've got so much going on,

I forgot to post about the WhiteLine Woodblock Printmaking Class I'm teaching this summer!

These are WhiteLine Woodblock prints:

The one thing I just love about whiteline prints is that no two can be exactly the same.

I'm going to try to be armed with multiple prints from a few select blocks. 

Print #2 of Mill Creek at Coon Rock Road is about done now. 

Paper is too wet for me to continue, 

so I snapped the photo with my cell phone to show you.

Here's Print #2 of Mill Creek at Coon Rock Road, 

fresh off the block.

(I'll do my homework here, and get more of these prints up for you.

Can't believe I've not posted more of them!)

 This is the third print from this block

and there will be two more, one of which is already sold.

 It's done, but I like to remove prints from their blocks 
first thing in the mornings.

Yes. 
I started a blog about this, 
specifically to post the prints,
but somehow got teetered off into printing, painting, or whatever else it is that demands my attention.
(I'll make a point of loading the site with more up to date work)
I've been posting some in one of my FaceBook albums, which you can visit in the mean time.

Whiteline prints after teaching a class of whiteline printmaking

There was something about teaching that whiteline class

that got me working a little differently on my own blocks...

it's good.

 I like to leave the completed print on the block until the next morning,
when I wake up, with a coffee...and take a new look at it.
It's always a nice surprize to see it there....needing nothing more from me.
And then when it's flattened....
OH, my...it's  like some magical transition into something else...
it really stands on it's own...
and this one's really nice.
12.5" x 14" wide...Mill Creek at Coon Rock Road.....where the LongHorns Weren't



8.5" wide x 6' tall ................................A LongHorn

7" wide x 9.5 " tall...........KnotRat

the Peninsula School WhiteLine Woodblock Printmaking Workshop

I got so involved in this Peninsula School of Art workshop...

we really got moving, covering a lot of ground...

I  never thought about documenting the step by step

so I could later say, "here, look...this is what we did."

Well, I got some to show a little bit...

mostly, I was amazed at what we accomplished...

and what all I learned from them...

which was the real surprize.

Here they are" Joan, Anne, Sue, Anne,Donna & Donna.

Peninsula classrooms are simply great.

 

Joan had done more linoleum cutting than wood, so the pine I brought was like cutting through butter.

I wish I had the presence of mind to photograph of ALL the final prints everyone did.
Once they were all flattened, they took on a real presence....
yeh, wish I could have slowed me down...
get me arting, and I fire up, tending to forget some of the non-arting things that I should be doing.

Donna did a great duck besides this landscape:

Sue and Anne cut the same scene into earlier blocks...which of course I didn't take snaps of....

j

 

Donna was fearless.

I wish I got a picture of Anne's last block,
on the large pine I brought....
complex....we ran out of time,
so she would be completing it on her own.
It's going to be a wonderful piece.
Anne has official Japanese woodblock printmaking under her belt, so it was interesting to see how she took to this process.
(I was envious of her working orderlines)



OH...and on the last day, Joan saw to it that we got to have a Cherry Pie.....geez.......

Yes...me.  
This was great.  
I want to do it again.  

Thanks, Anne, Anne, Donna, Donna, Joan, and Susan...you were a great class.
You really got a lot done...I think you learned a lot.
You caught on well,  you kept your knives sharp....your prints were wonderful.
 I hope you print those blocks again...and keep going.  
Cut and print another....you felt that thrill that grows as the print develops...............
it gets better.  
Keep me posted!

White-Line print block

8pm last night I finally took the print off the block!

The print itself looks like a well slept in bed sheet, so is under weighted glass being flattened.

This is only the block.

Fall Art Tour, Spring Green, Wisconsin

This year I seemed to have turned into the General Contractor for my new studio.

It will be down the road a bit, and on the other side of the hill...

that's where you'll all be going for the 2012 Fall Art Tour.

This year's Tour will also probably be the last year in this studio, which is really sad.

It has been my home and safe place for so many years...

but, I have outgrown it.

The etching press might stay for a while,

and maybe I'll use the space for something special.

As more and more of my time seems to be eatten by this new studio,

I have simplified my arting goals to simply trying to complete the second print

off the "I live here" white-line wood block.

(The first print sold in my show at the Anaba Tea Room show last November.)

If all goes right, I'll be able to get it photographed and have prints on hand,

as well as prints of the one in the photo above.

I'm also aiming for half-sized prints of the "40 days and 40 nights" woodprints.

"I live here", artist print #2, in progess.

If all goes right.....

If not, prints WILL be available a little later.
Those who ask will be notified first,
and finally I will have something official to sell through my Etsy site.
This Fall Art Tour, I will be demonstrating how I do this White-Line woodblock printing.
I'll be pulling out a lot of arting that I've had packed away on purpose...
the original "40 days and 40 nights" woodprints will be on display,
and whatever else I can manage to pull out will be out.

White-Line wood prints in San Antonio show.

These three of my White-Line wood prints will be in the show Reliefs4Relief

A Juried Exhibition of Prints benefitting Japan Disaster Relief

Lyle Williams, McNay Museum Curator of Prints & Drawings was the Juror

at the Centro Cultural Aztlan Gallery

in San Antonio, Texas.

I was moving fast to get them framed, boxed and into the hands of FX,

so I didn't get the chance to take better photos of them in their fine frames before they left.

The Electric Companyis outfitted in a handmade frame.

The RedHerring Partywas awarded 3rd place!

and framed in a simple antique pine frame.

The Pondfit the most wonderful old frame I found in the basement.

I'll post more show information later.