Drypoint-Diogenes

4.5"x6" drypoint on 6"x8.5"Arches BFK, artist proof...printed with Renaissance Black Ink

Sick today

nope, don't like this...although, the Nurse Dogs have been excellent as bed warmers and worried companions....but, I'm suited up...taking a thermos of hot ginger tea and one of these kleenex-eating mentholated-curs with me...heading to the studio........it's a better place to be sick.

Fall Art Tour Fish

I hand colored a print of the plate I was working on during the Fall Art Tour...

4"x6" , printed on Rives BFK

Because I can't leave well enough alone
there are no two plates which are the same....
I think the official term for this is "Edition Variation #2"...
$80.00
yes, there is a #1....

Drypoint...(not titled yet)

printed on a 6.75x8.5 BFK...handcolored

I Voted!

Center for Patient Partnership....Shoe Auction

My shoe..."Never Mess with Guido's Woman"....

and the rest of the shoes, arted by other artists, can be previewed here.

More views of my shoe can be found here, here, here, here, and here.

If the Shoe Fits...Auction & Fundraiser
to benefit
The Center for Patient Partnerships
Thursday, Novemeber 6, 2008
5:30pm until 8:30pm
Nakoma Golf Club
4145 Country Club Road
Madison, Wisconsin
$45.00 per person in advance...$50.00 at the door
Questions? call the Center for Patient Partnerships at 608-265-6267

The Religionator in the Garden

...or part of the Garden...
it's a very large Garden....

2.5"x3.5"...printed from scrap aluminum flashing

The Fall Art Tour is October 17-18-19....I am number "24".

Not Etching

Collagraphs.
5x7 collagraph, printed on RivesBFK

5x7 printed on Rives Lightweight

I'll demonstrate what I'm doing here at the FallArtTour.

Carved Flames

These are being installed this afternoon
over the back wheels of a "Rascal Scooter"....I've been promised pictures of them in place.

about 14-15" wide, 1" thick, hand carved, painted

Collagraphy Experiments--two more

I was messing with the resists...
the top one was barely tacky...
the bottom one was absolutely dry.

(two 3.25"x5" aluminum flashing plates)

I wasn't so careful in putting the resist coatings on,

and left very slight ridges from the edges of the brush...

hardly visable when they dried, but they actually PRINT!

geez.....

ok, so I learned something else.

Collagraph for Auction

I'm still working with the collagraph idea from the book INTAGLIO....
donating this one to 4PeteSake along with a couple woodprints.

The Soil of the Red Planet is Toxic
3.25x5" aluminum flashing
printed on rives lightweight

Collagraph Experiments

I'm using the process from the book INTAGLIO...
not happy with two coats of Lascaux hard ground, topped with one of soft...
I went to 4 coats of hard ground and two of the soft.
I let each coat dry before the next
and let the whole mess dry overnight...
I've had problems with the grounds tearing/pulling....I believe my plates are clean, and properly prepared.

Once I wanted to see how easy it would be to get off an older experiment....
ha...no way...probably going to have to buy the Lascaux remover.

I've no idea if the soft ground is just the hard ground with additive to slow the drying...
but, it seems that it's easier to work/scratch through than their hard ground...
(this is definately not an etching needle gliding smoothly through hard ground on a polished plate)

Booger (also from next post) was done with the 2 & 1.

I recoated it with two more coats of the hard ground and another couple of the soft...
scratched through it when it was really dry and printed...Rives lightweight..

Toxic on the left is the best print (GraphicChemical paper) I could get with the 2 and 1....

a couple more coats of hard, and another two of the soft....

more scratching through...and the two prints on the left are what I got last night.

The one of me started with 4 coats of hard and two of the soft....
and the lines were deeper....


My problem is either in my printing...getting used to the press...
or I'm just needing practice...probably...
or maybe this is just what I'm going to get with this...
but, there is more information on the plates than is printing.

In the book is mention of finer pigmented ink for drypoints..
when wiping the plates...these feel like drypoints...especially in the blacks.

I'm using Graphic Chemical etching ink.
My plates are aluminum flashing....3.5" x 5".

First Collagraph Print

I need something that gives more immediate results than these metal poundings I've been doing.
Painting on the "shoe" piece is good....
the watercolors are good...
but, I'm needing to draw INTO something.
Etching would be perfect...wouldn't be wandering far from this metal thing I've got....
but I'm really not set up to etch plates....
so, using acrylic resists, and my trusty needle I started experimenting....and it feels good.

the muse, Booger 3.5x5,aluminum flashing printed on Rives LtWt.

>

Small Poundings

The amount of time each piece of metal holds is still an amazement to me....
These are a few of my small silver and copper poundings.
I'm learning to solder....
rivets are next....
and in between I'm trying to get a handle on Lascaux hard and soft grounds.
I really would love to do some etching,
I'm way not prepared to deal with etching....
but, in Robert Adam and Carol Robertson's book INTAGLIO, on page 164,
I see something that might give me some satisfaction....
so, experiments are beginning.

Aluminum pounded into Man of Teeth

Two weeks at Haystack has had impact beyond what I was warned about...
I can't put it quickly into words right now...
and can't find any of the words sent to friends which did...
or I'd be using them....
it has, however, been showing up in the arting done since....

(work in progress)

I am attacking the studio, head on.....
making some readjustments which will enable me to keep going...
moving a big bucket of wood ashes in for steel annealing....
my big surprize was what it did to aluminum!

I swore I'd own what I learned out there....
it's mine...
and I'm not stopping.

I'll post pictures soon.

Brian Brock...raised by robots

Brian Brock is a friend of mine....a musician...composer...writer of curious tales...
I love his clean, carbonated mind...
where it goes...and how he sees.
He's a very special favorite of mine.

He sent me his Raised By Robots (work in progress) CD to listen to....
I listen to it often...
when people ask what it's like...
I find myself telling them...that for me.....
it falls somewhere between Peter and the Wolf and Kandinski's paintings.

Brian played today at the General Store...
tomorrow he will play at BobFest.
Brian and Lea, whose artings I also just love...
moved out west...
but, he's here this weekend....and I'll be in the audience again tomorrow.

Clear flux copper color surprize

(I'm posting this to help illustrate a question I'm asking)

I'm short on time...
but I wanted to show you what I was talking about...
I just put it on the scanner...
not the best picture,
but I think you can see what was going on...
it's a champleve piece...(not sure about that spelling..)
but instead of filling in the etched out spaces like I was supposed to...
(learning and just forgot)
I just dusted the whole piece with clear flux enamel..unleaded...

Will this kind of metalic/irridescent greens-blues-reds happen each time?So, lucky I was...
I added some extra flux in the "flames" ...fluxless in the first firing...
it did not darken like the others did, but turned a great red, perfect for "flames"...
When fired several times more, the other pieces
did nothing but get darker and darker...no additional flux added...
yes, there were colors that looked like they were deep inside...
but, very hard to see without bright light.

I'm wanting to get this again...
is this something that normally happens, or can one encourage it?
I don't care if the colors happen in unpredictable places...I can work with that...
but, I'm really interested in this now...

Pitch Bowl

It was difficult...
hated to stop...
but, I brought my pitch bowl into the house

in order pack off to Haystack Mountain School of Crafts...
where I will meet up with it and my tools
in order to take the class taught by Kirsten Skiles.
Marcia Lewis, of ChasingMetal.com told me I'm going to learn a lot from her.
(she says "Hi" Kirsten!)
I guess I could keep figuring it out myself....
but, taking this class will speed things up for me...
answer lots of questions...
and who knows what all.

I'm leaving this one in the pitch
because I want to know if there are tools I can learn to make
that will do some things I can't do right now...
so it's coming with me.

It is an odd feeling, though, sending my tools off to "camp"....
but, I'll be busy...
there's a woodcut to work on...
another to start...
a painting to complete...
a couple drawings to finish....
I'll still be arting.

Waiting Room

Booger WAS at the Dentist...
I suppose my relationship with him is a bit over the line...
(the tech's last words to me as they walked down the hall
were something about
"if there are any serious complications, which happen at times.....")
eeuw...
but, Booger is special...

he was WeberGrill's newsletter, the GrillOutTimes official star
developing quite a following...
even getting fan mail...

he is the dog who was gone 40 days and 40 nights to return on Tony's birthday.....
part one of the tale I'll finish sooner or later in woodblock form...

he died on the operating table the next year when they took his gall bladder out...
but, tough little dog that he is, decided not to leave just yet...
so, he's into his 3rd life...

He IS the embodyment of the Small Dog of Power...

Strong, brave and handsome....in PERSON!

So this is what took my mind off "complications"....

Driver Painting

It's still wet....

another for my series of driver artings. (10 1/2" X 17")